A Standard Introduction to Lectures
First published in English in Gagarin 1, no.1, pp. 3-4
2000
1996
El apuntador / The Prompter
First published in Spanish and English in Juan Muñoz: Monólogos y diálogos, Palacio de Velàzquez. Museo Nacional Centro de Arte Reina Sofia, Madrid [cat. exh], p. 93 and p.94
Anochecer [Dusk]
First published in Spanish in Medardo Rosso, Centro Galego de Arte Contemporánea, Santiago de Compostela, [cat.exh], pp. 250-251
Also published in English as Dusk in Juan Muñoz, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in association with The Art Institute of Chicago [cat.exh], 2001, p. 80
1994
El rostro de Pirandello /The Face of Pirandello
First published in Spanish and English in Urban Configurations, Poligrafa, Barcelona, pp.118-119 and pp.120-1
1992
A Imagem Proibida / La Imagen Prohibida / The Prohibited Image
First published in Portuguese, Spanish and English in Julião Sarmento, Fundação de Serralves, Porto, [cat.exh], p.12, 14 and 16
1991
A Drawing-Room Trick
First published in English in Carnegie International 1991. Vol.1, The Carnegie Museum of Art, Pittsburgh and New York [cat.exh], p. 112
1990
Segment
First published in French and English in Juan Muñoz, The Renaissance Society at the University of Chicago, Chicago/Center d´Art Contemporain, Genève
En una plaza [On a Square]
First published in German as Auf einem Platz in Weitersehen (1980-1990), Haus Lange and Haus Esters, Krefeld, [cat. exh], pp. 201-202
Also published in English as On a Square in Juan Muñoz, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in association with The Art Institute of Chicago [cat.exh], 2001, pp. 67-68
1989
Un texto de Juan Muñoz / A text by Juan Muñoz / Un testo di Juan Muñoz
First published in Spanish, English and Italian in Spazio Umano/ Human Space. International MagazineBook of Art and Literature. 1/1989, pp. 20-24
The Prompter
First published in English in Theatergarden Bestiarium: The Garden as Theater as Museum, PS1 Contemporary Art Center, Long Island, New York, The MIT Press, Cambridge Massachusetts [cat. exh.] p.50
1988
Un Objeto Metalico / A Metallic Object
First published in Spanish and English in Jan van de Pavert and Juan Muñoz, Amsterdam Maatschappij, Arti et Amicitiae [cat. exh.]
El tiempo de posar [The Time of the Pose]
First published translated to German as Die Zeit der Pose in Durch, no.5, pp 25-27
Also published in English as The Time of the Pose in Juan Muñoz, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in association with The Art Institute of Chicago [cat.exh], 2001, pp. 64-65
1987
Ilusionismo, percepción, proyecto [Illusion, Perception, Plan]
First published in Spanish in Sur Express, no.1, 15 April-15 May 1987, p.35
1986
De la precisión en las distancias [ On the Precision of Distances]
First published in Piedras: Richard Long, Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, the British Council, Madrid, [cat. exh.]
El hijo mayor de Laocoonte / Laocoon´s eldest son
First published in Spanish and English in Chema Cobo, Das Kunstmuseum, Bern [cat. exh.]
Un hombre subido a una farola (Entre la escultura británica y la escultura a solas) [A Man up a Lamppost (Between British Sculpture and Sculpture Itself)]
First published in Spanish in Madrid, Palacio de Velázquez, Entre el objeto y la imagen: escultura británica contemporánea, Madrid: Ministério de Cultura. Dirección General de Bellas Artes y Archivos, London: British Council [cat. exh.], pp. 27-30
Also published in Catalán as Un home enfilat a un fanal (entre l’escultura británica i simplement l’escultura), in Entre l´objecte I la Imatge. Escultura británica contemporània, Barcelona, Fundació Caixa de Pensions, pp.31-34.
1985
Desarrollo de la escultura inglesa actual. La palabra como escultura. Richard Long. Ian Hamilton Finlay [Development of the current English sculpture. The word as sculpture. Richard Long. Ian Hamilton Finlay]
First published in Spanish in Revista de Arte Figura, no. 4 (Winter 1985), Sevilla, pp.18-20
Desarrollo de la escultura inglesa actual II. Hacia delante. De Richard Deacon a Anthony Caro [Development of current English sculpture II. Forward. Richard Deacon Anthony Caro]
First published in Spanish in Revista de Arte Figura, no.5, Sevilla, pp.32-33
Borromini-Kounellis: De la luminosa opacidad de los signos [Borromini – Kounellis: On the Luminous Opacity of Signs]
First published in Spanish in Revista de Arte Figura, no.6 (Fall 1985), Sevilla, pp. 94-95
Also published in English as Borromini-Kounellis: On the Luminous Opacity of Signs in Juan Muñoz, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in association with The Art Institute of Chicago [cat.exh], 2001, pp. 60-61
The best sculpture is a Troy [Trojan] horse
First published in Italian and Spanish titled as Also a Metaphor [Tambien metáfora], in Domus 659, March issue, p.77
1983
Los primeros/ Los últimos [The First/ The Last]
First published in Spanish in La Imagen del Animal: Arte Prehistórico. Arte Contemporáneo, Ministerio de Cultura, Madrid, [cat. exh.], pp.41-46
Also published in English as The First/ The Last in Juan Muñoz, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in association with The Art Institute of Chicago [cat.exh], 2001, pp. 58-59
1982
Notas afines a tres [Notes on Three]
First published in Spanish in Correspondencias: 5 Arquitectos, 5 Escultores, Ministerio de Obras Públicas y Urbanismo, Madrid [cat. exh.], pp.17-19
Also published in English as Notes on Three in Juan Muñoz, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. in association with The Art Institute of Chicago [cat.exh], 2001, pp. 56-57