The Nasher Museum of Art at Duke University, Durham, NC
19 February – 12 July
More info here
MAXXI Collection. Remembering is not enough.
Più di 200 opere di oltre 70 artisti e architetti dalla collezione del MAXXI
in una mostra che mette in dialogo arte e architettura
Christian Boltansky, Elisabetta Benassi, Maurizio Cattelan, Alberto Campo Baeza, Teddy Cruz, Giancarlo De Carlo, Gilbert&George, Alfredo Jaar, Ilya ed Emilia kabakov, Paul Mccarthy, Nobuyoshi Araki, Tony Oursler, Adrian Paci, Michelangelo Pistoletto, Gerhard Richter, Aldo Rossi, Doris Salcedo, Carlo Scarpa, Superstudio, Lara Favaretto, Toyo Ito, Vedovamazzei, Kara Walker, Lawrence Wiener, Cino Zucchi e molti altri. Sono solo alcuni degli artisti e architetti protagonisti della grande mostra che il MAXXI dedica alla sua collezione.
CAB de Burgos. EL TEATRO DEL ARTE. Colección “la Caixa”.
03 October 2013 – 12 Enero 2014
CAB de Burgos.
El Teatro del Arte. Colección “la Caixa”.
Arte Contemporáneo.
Extra Ordinaire
Avec les ouevres de la collection Frac Aquitaine. Avec les oeuvres de John M Armleder, Farah Atassi, Pauline Bastard, Vincent Bécheau et Marie-Laure Bourgeois, François Cante-Pacos, Nicolas Chardon, Maitetxu Etcheverria, Robert Filiou, Peter Fischli et David Weiss, Vincent Ganivet, Paul-Armand Gette, Luigi Ghirri, Piero Gilardi, Ann Veronica Janssens, On Kawara, Gunilla Klingberg, Joseph Kosuth, Richard Long, Karin Ludmann, Nicolas Milhé, Joachim Mogarra, Juan Muñoz, Dennis Oppenheim, Nam June Paik, Hugo Pernet, Présence Panchounette, Chantal Raguet, Maryvonne Rocher-Gilotte, Sergio Sister, Reena Spaulings, Studio Totem, Joseph Sudek, Otmar Thormann, Tatiana Trouvé et Jacques Vieille.
Rumores-Conversaciones, desde las colección del MEIAC.
Damage Control. Art and Destruction since 1950. (Kunsthaus Graz)
From the mid-twentieth century onwards, one can observe an increased interest in the concept of destruction and dismantling in all areas of art production. The Damage Control exhibition is the first thorough historical investigation of this theme.
Damage Control. Art and Destruction since 1950. (MUDAM)
MUDAM
DAMAGE CONTROL
ART AND DESTRUCTION SINCE 1950
12/07/2014 – 12/10/2014
Damage Control. Art and Destruction since 1950
While destruction as a theme can be traced throughout art history, from the early atomic age it has become a pervasive cultural element. In the immediate post-World War II years, to invoke destruction in art was to evoke the war itself: the awful devastation of battle, the firebombing of entire cities, the dropping of the atomic bombs on Japan, and, of course, the Holocaust. Art seemed powerless in the face of that terrible history.
A Thousand Doors
NEON and the Whitechapel Gallery are collaborating to present an exhibition of works by Greek and international artists at the Gennadius Library curated by Iwona Blazwick OBE, the Director of the Whitechapel Gallery. The exhibition will be installed throughout the venue, both inside the library spaces and outside them in its formal gardens. The selected works are executed in a wide range of media, and include video, sound and sculpture installations.